High And Low (1963)

 Also Known as: Tengoku to jigoku
Director: Akira Kurosawa
Runtime: 143 Minutes
Year: 1963
Country: Japan
Language: Japanese
Colour: Black & White (except for one scene of smoke in colour)
Speciality: A brilliant cat-and-mouse chase thriller. Akira Kurosawa shows his expertise at handling a thriller with style, tension and panache.
Palador DVD Code: PFE0020b1
Available As: Part of Kurosawa Box Set.


Trailer

 

Synopsis

An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with the intent of keeping the company out of the hands of incompetent and greedy executives. He needs the same money, though, to pay the ransom that will possibly save a child's life. His resolution of that dilemma -- the certain loss of the company vs. the probable loss of the child -- makes for one distinct drama, and an ensuing elaborate police procedure makes for a second.

Toshiro Mifune stars as a wealthy industrialist whose family becomes the target of a ruthless kidnapper in Akira Kurosawa's exemplary film noir. Based on Ed McBain's detective novel King's Ransom, High and Low is both a riveting thriller and a brilliant commentary on contemporary Japanese society.




Credits

Directed by

Written by





Produced by


Cinematography by


Production design by
Akira Kurosawa

Akira Kurosawa
Eijirô Hisaita
Hideo Oguni
Ed McBain
(novel King's Ransom)

Ryuzo Kikushima
Tomoyuki Tanaka

Asakazu Nakai
Takao Saitô

Yoshirô Muraki

Cast

Character

Kingo Gondo

Chief Detective Tokura

Reiko Gondo

Kawanishi, Gondo's
secretary

Detective Arai

Chief Detective
'Bos'n' Taguchi

Detective Nakao

Chief of Investigation
Section

Kamiya

Ishimaru

Baba, National
Shoes executive

Ginjirô Takeuchi,
medical intern

First reporter

Detective Shimada

Factory worker

Prison warden

Aoki, the chauffeur

Second reporter

Chief of First
Investigating Section

First creditor

Junkyard cook

Detective Murata

Third reporter

Chief physician

Detective Yamamoto
Actor's name

Toshirô Mifune

Tatsuya Nakadai

Kyôko

Tatsuya Mihashi


Isao Kimura

Kenjiro Ishiyama


Takeshi Katô

Takashi Shimura


Jun Tazaki

Nobuo Nakamura

Yûnosuke Itô


Tsutomu Yamazaki


Minoru Chiaki

Hiroshi Unayama

Eijirô Tono

Masao Shimizu

Yutaka Sada

Koji Mitsui

Susumu Fujita


Kyu Sazanka

Kamatari Fujiwara

Yoshio Tsuchiya

Kazuo Kitamura

Gen Shimizu

Akira Nagoya

Influences

A loose adaptation of the Ed McBain novel King's Ransom
References
Bijo to Ekitainingen (1958)
Referenced in
Last Action Hero (1993)
Z Channel: A Magnificent Obsession (2004) (TV)

Awards

Nominated for the Golden Globe

Nominated for the Golden Lion at the Venice Film Festival

Nominated for Edgar by Edgar Allan Poe Awards

Akira Kurosawa remains to be hailed as one of the greatest and one of the most influential directors of all times.

Akira Kurosawa was given an Oscar for lifetime achievement in 1990.

Comments

"High and Low illuminates its world with a wholeness and complexity you rarely see in film." - Washington Post

"One of the best detective thrillers ever filmed." - New York Times

"One of the greatest cops-and-crooks films ever made, High and Low is a combination of immensely powerful psychodrama and exquisitely detailed police procedural." - Netflix

"Expertly weaves a police tale with social commentary while remaining a character study above all." - ToxicUniverse.com

Trivia

The last section of the movie originally had a great deal of dialogue, but Kurosawa decided to omit all of it.

There is one shot of the movie that is in color - the scene of the colored smoke rising from the incinerator. Some television prints botch this and have the scene in black and white instead, diluting its impact.

Based on the novel, "King's Ransom", by Ed McBain, part of McBain's 87th Precinct series.

High and Low is remarkable, in part, because it very clearly illustrates the divide between the rich and the poor in 1960s-era Japan.

It is filmed entirely in black and white apart from a few seconds when a cloud of pink smoke billows up from the city. As in other Kurosawa films, the director uses an imaginative score to maintain viewer attention, but also makes inventive use of sound to advance the plot and contribute to the mood of a scene.

 
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